The artist and I worked together to create artwork for a remix album based on his original Euringer album art. For the front cover, I composited an image of the two neon signs, lit and unlit, revealing his stage name from a previous project. For the back cover, the artist wanted a "glitchy" look. I used several filters on background image, selected a "messy writing" font for the track list, and gave the text a "glitchy" feel by offsetting several color versions on top of each other. For the credits side of the LP sleeve, I used an image from the archives of the Metropolitan Museum of Art, and for the other side I created a warped and color offset sheet music image featuring one of the songs on the album. In contrast to the "glitchy" style of the back cover track list, the artist wanted a romantic, classical feel for the LP labels, so I chose an elegant, cursive font for the tracklist side and used a Metropolitan Museum archive image for the opposite side. I then did all type and image layout for the LP gatefold, LP labels, and LP inner sleeves and prepared them all for print production, including making any necessary revisions requested by the album production company.

(9 representative images below)